I am a big Michael Lee fan. His last book My Frankenstein was a real treat and now he has a brand new book out called From Russia with Blood. Very catchy and James Bond-esque, I dig the title and think it’s quite clever so of course I can’t wait to read the book. I’m happy to consider Mike a friend, he’s also a member of my writing group Scriborium, he’s a busy guy and one great writer. Lucky for me, Mike agreed to take some time out of his hectic schedule to do an interview with me. Since I’m a writer myself, I am always fascinated with the process of other writers. How do they do that thing we do? How does it all come together for them? I want to know where their inspiration comes from plus a few more things, and so now I share the answers to all these things with you.

TSD: Where did the idea for From Russia with Blood come from? What was your inspiration?

MLEE: Sometimes you get the idea and struggle to find a title. Other times a title pops into your head and you think “That’s too good to waste. I’ve GOT to jump on that one.” From Russia with Blood was inspired by the title. After I got the title I knew I had to find a story to go with it. After weeks of bouncing it around in my head I had it!

TSD: I love the title for this book. What gave you the idea to name the book after a play on a James Bond movie?

MLEE: I was playing one of my “inspiration” games. When I feel I need to find a new project I look through lists, like say great adventure films, or sometimes I play the mash-up game. This time I was just randomly combining genres. I still have a whole bunch of other ideas in a notebook that didn’t stick. But when I came to combining James Bond and Twilight it was just a natural. The title immediately sprang into my head like a bolt of lightning and then I was off to the races.

TSD: Can you tell our readers what From Russia with Blood is all about?

MLEE: It’s about Ian Redd, a 400 year old vampire and former secret agent for British Intelligence who is living the quiet life in Ohio when he discovers an old enemy from the Cold War is still alive and out to get him. It’s also about Larissa Barton, a seemingly ordinary young woman who suddenly is being chased by assassins and monsters and only this mysterious stranger named Ian can protect her.

TSD: How long did it take you to write From Russia with Blood?

MLEE: The actual writing was very fast. I used a “super synopsis” to plan everything out and built it up from there. Normally a synopsis is just a guideline, I just kept adding and adding to mine until individual chapters began to take shape. It was a good way to jump start the writing process.

TSD: How long do you wait between novels before starting another one?

MLEE: It feels like a long time. That’s because as soon as you’re done with one book you’ve got rewriting and then marketing to tackle! That can make it feel like an eternity.

TSD: How did you get started writing?

MLEE: I’ve always been writing. Well, since the word processor came along and made revisions a lot easier.

TSD: Can you describe what your daily writing routine is? What time of day (or night) is your favorite time to write?

MLEE: I tend to set aside a few hours every day. My work hours are usually pretty flexible so I can craft my schedule around a project if I’m really in the zone. I find I spend more and more time on it the closer it gets to completion.

TSD: Where do your best ideas usually come from? What inspires you?

MLEE: As I mentioned I play a lot of mental games to come up with ideas. That comes from being a long time role playing and board gamer. I love making lists. I love reading history especially recent history. I’ll mash genres together. But ideas aren’t stories. A lot of these ideas just sit in notebooks. What inspires a story is character and/or plot. If the idea leads to a character then I have something. If it leads to an intriguing plot then I have something.

TSD: What genres do you enjoy reading?

MLEE: Anything imaginative. I’m always looking at IO9 for their latest recommendations!

TSD: Which authors have influenced your writing style?

MLEE: George R. R. Martin, Suzanne Collins, and Charlaine Harris are the authors I love to read. I tend to write in a very clean, straightforward style. In that regard I’m influenced by thriller writers like Jack Higgins, Alistair MacLean and of course Ian Flemming.

TSD: What are you working on now? When can we expect Book 2 in the series?

MLEE: I’ve’ already got Book 2 planned out in my head. I hope to have it done by this Spring.

TSD: How much of yourself do you reveal in your writing?

MLEE: I think a writer always reveals himself in his or her writing whether they mean to or not. No two people are going to tell the same story the same way.

TSD: Do you prefer writing novels or screenplays better? Which is more challenging?

MLEE: They’re both very satisfying when you do them right. Both are very challenging. Screenplays are shorter but you have to make every line count. Novels are longer and can be more forgiving but they have many more pages to fill.

TSD: Have you ever optioned any of your works? Do you have anything available for option now or in the future?

MLEE: I have had a screenplay optioned before. Honestly if you’ve never been to LA, you don’t realize how easy it is. The ground is crawling with people who would gladly option your screenplay or novel. You won’t get any money unless they sell the project to a studio, but you can get an option easy. Getting a cash option, now that can be a little trickier.

TSD: Being a script judge and a movie blogger as well as an author, do you know a lot about the process of adapting a literary work into a screenplay?

MLEE: You have to overcome a pretty big paradox when you’re adapting a literary work. You have to make it your own but still stay true to the original material. If you can’t inject a new way of viewing this story then why should they hire you? If you deviate too far from the source material, what’s the point of adapting it in the first place?

TSD: Are the horror/supernatural genres your favorite genres to write? Have you written in other genres? What is your favorite genre to read?

MLEE: I have written other genres and that’s why I can say with confidence that the horror/supernatural/paranormal genre is my favorite. It just fits. I have a series of history books. For years I was pounding my brain trying to turn my love of history into a fantasy or a sci fi or even an historical adventure. I recently applied a paranormal twist to the material and it was like the sky opened.

TSD: So here’s one of my favorite questions. Could you share an excerpt of From Russia with Blood please?

MLEE doesn’t disappoint. Check out the hot excerpt below!

An Excerpt of From Russia with Blood by Michael Lee

Instantly he was right next to her. One hand gripped her shoulder and yanked her backward. His other hand held something that flashed brightly. There was a loud echoing sound.
Pop! Pop! Pop!
Gunfire. He’s got a gun!
Larissa stumbled away from Ian. She saw the speeding auto tear down the center of the road. It swerved toward her as she ran.
There was a dark alley immediately behind her. She sprinted into it. It looked narrow. She didn’t think a car could follow. She hoped it couldn’t.
She was ten steps down the alley when she heard a huge crash behind her. She felt it too and half stumbled for a few steps. Larissa whipped her head around and saw the car with its hood crumpled around the corner of the alley. The headlights were flickering and the horn blared.
She slowed a little bit. The car horn stopped blaring. The driver’s side door opened with a crunch and a large man in a dark suit kicked his way out. He staggered into the mouth of the alley clutching his forehead. Larissa saw blood oozing from a cut on his scalp. Then she saw the gun in his other hand. The man raised it at her.
She stood frozen. Was this it? The moment her dreams had warned her about?
Pop! Pop! Pop!
It was the same sound as before. Sharp and loud like fireworks on the Fourth of July. The man hadn’t fired. He stumbled and then fell awkwardly to the ground. She’d never seen a dead body before but she knew that man was dead. He lay in such a twisted manner there could be no doubt.
A shadow approached the alley.
Larissa tore herself from the spot and ran.
She looked back once and saw a tall figure enter the alley. She was on the verge of recognizing him when she smacked into something large and heavy.
Two burly men had jumped out of the shadows and she had run right into their arms. She screamed with all her might as they lifted her off the ground. She kicked and flailed around.
“Is this her?” asked one man in a rough voice.
“Who cares. Shut her up!” came the answer.
A hand like sandpaper clamped down over her mouth and smothered her screams. She saw the black metal of a gun barrel. It hovered above her forehead. She bit down hard on the hand but it wouldn’t let go, even as her teeth tore through the skin.
Out of the corner of her eye she saw the tall figure streaking down the alley toward them. It was Ian. He was moving faster than any man she’d ever seen. It didn’t seem real. She’d been to the Central Park Zoo once. There she’d seen a snow leopard dash across its enclosure. It moved so fast and so fluid, like lightning. That was what it was like watching Ian move. There was nothing human about it.
Her attackers dropped her. She fell on her butt as Ian collided with the two of them like a train. There was a flurry of blows. One dropped to the ground. He crumpled like the man at the mouth of the alley and Larissa knew he was dead.
She backed away from the fight. Broken glass and other bits of debris scraped and cut her hands and rear end but she barely noticed. She was too busy watching the fight. What little fight there was.
Ian seized the other man. The brute was nearly twice his size but Ian held him tight and forced him to his knees. They were standing over a sodium lamp and by its pale light she saw the fangs gleaming inside Ian’s mouth.

Thank you very much, Michael!

From Russia with Blood is available now at Amazon. Visit the Facebook page and become a fan! And be sure to visit Michael Lee at Dark Age of Geek to find more places you can sink your fangs into From Russia with Blood!

Michael Lee is a script judge, reader, creative executive, and consultant. He also blogs about stuff on the Wrap.com and has 2 ebooks out, My Frankenstein and From Russia with Blood. Michael got the writing bug early and it never left him. He’s been studying storytelling and writing ever since. “I keep studying because this is a craft you never master, there’s always something else to learn.”

Images Courtesy of Michael Lee

 

Hi TSD Readers! I wanted to give you a quick update on what’s in store for you in the coming months. As you know The Pooka is coming out later this year and I’m hoping my second Persimmon book will have a publication date near Christmas time though that may not happen until the new year. I’ll be taking part in NaNoWriMo 2011 and during those 30 days I plan to complete my foray into Young Adult territory and that project will have a publication date of late spring next year. Coincidentally I will be needing beta readers for my YA project in March 2012 and I will be updating you on that topic in the coming months.

However, the point of this post is to fill you in on my current project which is a short story for the 2011 Scriborium Anthology tentatively titled A Very Scary Christmas which is coming out this Christmas of course. My short story will be included with about 9 other stories from the other Scriborium members and I am so excited about it that I have to share the news with you. The theme of the collection of short stories is a Christmas story with a paranormal or horror twist. The name of my story is “I’ll Be Home for Christmas”.

Here’s the synopsis:

Elspeth Stone hasn’t been home since she left for college after high school at the age of seventeen. Her decision to leave wasn’t supported by her family and she went without their blessing.  The only person she kept in contact with after the falling out with her family is her younger sister Erin. Now, 13 years later, Erin is pleading with Elspeth to come home for Christmas. Despite her resistance to the idea, Elspeth relents only because she hasn’t met her 5 year old niece yet and if she doesn’t come home this Christmas she may never get the chance since the child is ill and may be dying. The thought of going back to her childhood home fills Elspeth with the old fear and dread. Memories of the terror she experienced there, the horrors that went bump in the night and the evil thing that lurked in the shadows waiting for her surfaced from the dark recesses of her mind. As her sense of foreboding mounts, she doesn’t  know if she’s going home to reconnect with her estranged family or to confront the demons of her past.

And that’s how it goes. I might even be persuaded to give you a sneak peek and share a short excerpt here in the weeks to come. It’s going to be an exciting couple months, that’s for sure, and I hope you’ll come along for the ride! :D

ΩPhoto Credit 1, Photo Credit 2

 


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The original Straw Dogs film was directed by Sam Peckinpah in 1971 and had distinctly controversial subject matter. The concepts of rape, murder and violence was not mainstream material to portray in graphic detail on film. If we judge the film by today’s standards, considering what we see on primetime cable, will this remake directed by Rod Lurie raise as many eyebrows and cause as much furor as it did in the ’70′s? Will it be any more or less controversial now in the year 2011? Are we more or less culturally sensitive now as opposed to 1971? Unless our views on morality and these disturbing issues have changed radically since 1971, I’m certain this remake will at the least garner intrinsically shocked reactions and leave open to question as to how much is too much to depict in film.

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Yet the buzz surrounding this film isn’t only because of the sinister subject matter or its dauntless director Rod Lurie. It’s due mainly to the casting of a Swedish actor whose star is on a meteoric rise. Alexander Skarsgard has gained the attention of fame due to his quasi villainous role as roguish Viking vampire Eric Northman on True Blood. Unlike his loveable, antihero vampire persona on the HBO hit which just concluded its 4th season, Skarsgard’s role as Charlie Venner in Straw Dogs is one that is unlikeable in the extreme. There is no mistaking the fact that Skarsgard is a true villain in the remake of the Peckinpah psychological thriller.

Though both the remake and the original film are based on the novel The Seige of Trencher’s Farm written by Gordon Williams, this new version of the film is different from the original.

The Straw Dogs story centers around L.A. screenwriter David Sumner and his wife Amy. They relocate to her hometown in the deep South and they come into contact with Amy’s ex, Charlie Venner and his crew. Tensions begin to rise between the locals and the Sumners, and the building conflict escalates into violence which threatens their lives.

Skarsgard’s character commits a heinous act that makes him a true villain of the meanest sort and it’s a role that we haven’t seen Skarsgard portray as of yet.

Charlie Venner is truly a detestable character and Skarsgard has promised that he tried to bring a three dimensional quality to David Sumner’s nemesis. Characters like Charlie Venner are risks and challenging to take on. An actor must be confident in his ability in order to go over to the dark side and explore the boundaries of their commitment to the craft of acting. And that was the appeal of the project for Skarsgard. It was a chance for him to better understand his own darker impulses.

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In an interview earlier this year in the L.A. Times, Skarsgard is asked about his role in the film:

“Look around,” he said, “people are always, big shiny white teeth, big smiles, everything’s fantastic. How sincere is that? Are people really genuinely that happy all the time or is there something in there that they’re trying to fight? I know I am. I think it’s really good to acknowledge that there is that inner battle. Of course that’s interesting exploring. It’s scary and it’s dangerous, but it opens up your soul.”

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No matter how much one enjoys Skarsgard in True Blood, his role in Straw Dogs is one that will elicit intense reactions of dislike from audiences, especially from the actor’s female fan base. It is a role that will push Skarsgard to the limit, though I have no doubt that his magnetic screen presence will make his portrayal of the Charlie Venner character unforgettable, no matter how detestable that character is.

Straw Dogs opens today.

FYI ~ the definition of straw dog is something that is made only to be destroyed.

Bram Stoker’s Dracula (1992) – This look is sooo not sexy.

With all this talk of Colin Farrell, True Blood and Eric, it’s easy to forget that there are some not so sexy vampires out there. Honestly, vampires didn’t start out as the glimmering, sparkly swoon worthy creatures we know, love and fantasize about today. It wasn’t until Gary Oldman got all spiffed up for us in Bram Stoker’s Dracula in 1992 that vampires started to get hot. And then of course Tom Cruise and Brad Pitt as vampires from Anne Rice’s smash hit Interview with the Vampire in 1994 made sure we would never think of vampires with harsh widow’s peaks and black capes as the norm again. Nope, suddenly vampires were hot.

Yet vampires weren’t always so sexy and attractive. In fact, in the beginning, despite all the Freudian references, there was nothing sexy about them at all. Even today not all vampires in movies are sexy. It just goes to show you that we still like our vampires mean, ugly and scary. These are the kind of monsters that nightmares are made of, and there is absolutely nothing sexy about them. Here’s a look at 5 of the un-sexiest vampires in film.

5. Nosferatu


Despite being the godfather of vampires on film, there is nothing dreamy about Nosferatu at all. It’s quite the opposite. If the way he does that Nosferatu skulk casting shadows on the walls isn’t enough to creep you out, then his exaggerated ears, long talons and decidedly rat like face and front teeth certainly will. Doesn’t he look a teensy bit like an undead Peter Pettigrew from Harry Potter?

4. Bram Stoker’s Count Dracula


Good old Vlad the Impaler had some serious glamour. He was pretty suave with the ladies too. Yet underneath his glamourous sex appeal was a beastly and ghastly creature. He could be pretty on the outside when he wanted to be, but just below the surface of his appeal lurked the many faces of death. His numerous incarnations of the dreaded blood drinker that stalked the night definitely do not rank very high on the sexy meter.

3. Marlow from 30 Days of Night


There is absolutely no relation to sexy here. This vampire inspires nothing but absolute mind numbing terror. He doesn’t even register on the sex-o-meter. He is the type of monster that evokes nightmares instead of fantasies. Absolutely ruthless, this vampire makes no bones about how he looks at humans. We are nothing but dinner, inferior, inconsequential annoyances. With a visage, demeanor and attitude like that, there is absolutely nothing attractive about this blood drinker.

2. Vampires from Daybreakers


Russell Edgington would have been proud to call these vampires cohorts in the belief that humans are food. The vampires of Daybreakers will give you a heart attack instead of a fluttering heartbeat. Humans are an endangered species in this flick and the vampires are more interested in foraging for food than finding romance. The starving vampires morph into Subsiders, rapacious and hostile creatures resembling giant bat-like monstrosities whose natures remind me of zombies. In fact, you could say it is the decided lack of sexy that has led to the danger in the vampiric food supply. No willing necks to bite! ;D Now here’s a culture that could definitely use way more than a drop of True Blood in more ways than one. There is definitely no sexy here so we might as well take our sexy scale elsewhere, since these vampires are definitely not sexy, especially when they are starving.

1. Vampires from Priest


Rabid, alienesque demons, these unsightly Korean comic book based vampires are all business. You are more likely to shut your eyes and say your prayers than dream about them buying your house in a lustful and obsessive attempt to own you. Annihilation, extermination and domination is printed in bold letters on their calling cards and an encounter with one of these bad boys is likely to only end up one of two ways, dead or as a familiar subservient to them. Unless Paul Bettany happens to be in the vicinity. These vampires are definitely not the kind to write home about and there is no sexy scale in sight when it comes to these UV sensitive demons.

Are there any other vampires that inspire shivers of horror instead of squeals of delight that aren’t on this list? Who did I miss? Who do you think should be on this list?

Kate Beckinsale is once again reprising her role as Selene the Death Dealer in Underworld: Awakening, the fourth film in the Underworld franchise. Screen Gems has released this first trailer of the upcoming film which is coming to theaters on January 20th, 2012 in both 2D and 3D. And who doesn’t want to see more of Beckinsale in her tight black vinyl suit and in 3D no less? Rumors are swirling that Scott Speedman will also be joining the cast but who knows if that will happen.

Director: Måns Mårlind, Björn Stein
Written by: Len Wiseman, John Hlavin, Allison Burnett, J. Michael Straczynski
Cast: Kate Beckinsale, Stephen Rea, Michael Ealy, Theo James, India Eisley, Charles Dance

Synopsis: Selene escapes imprisonment and finds herself in a world where humans have discovered the existence of both Vampire and Lycan clans, and are conducting an all-out war to eradicate both immortal species.

So what do you think of this trailer? Does it look like more of the same? Or will this movie be as good as the others?

Underworld Trivia

The model for the Selene character was the psychic vampire of the Hellfire Club in the X-Men comics, the Black Queen Selene.

Kate Beckinsale first met future husband Len Wiseman on the set of Underworld.

ΩPhoto Credit 1, Photo Credit 2

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